Waynestock III, Night Two

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

The first night set the bar high and the second night met the challenge. Paige Travis hosted and the night started off with a bit of an International flair with Kukuly and the Gypsy Fuego. Kukuly Uriarte has called Knoxville home for some years, but was born in Buenos Aires, which is a long way from Tennessee. Her music is a fusion of South American folk and Americana with a little jazziness thrown in for fun.

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

Kukuly and the Gypsy Fuego, Waynestock III, Relix Theater, Knoxville, February 2013

 

One highlight of the night for me was her version of a song from the St. James Hotel recordings. That’s pretty deep digging into Knoxvilliana for a local person, let alone someone who wasn’t born here. Her rendition of this early country song was just as convincing as her delivery of folk songs from South America. With her distinctive, tasty guitar licks, excellent vocals and crack backing band, this is a very nice group to catch. She’s very photogenic, too, don’t you think?

Dor L' Dor, Waynestock III, Relix Theater, Knoxville, February 2013

Dor L’ Dor, Waynestock III, Relix Theater, Knoxville, February 2013

Dor L' Dor, Waynestock III, Relix Theater, Knoxville, February 2013

Dor L’ Dor, Waynestock III, Relix Theater, Knoxville, February 2013

After South American folk music, then entertainment turned to just what you might expect in east Tennessee: Klezmer music! Dor L’ Dor who appear to be a dominant force in the field brought their updated version of Jewish music to the stage with all its quirkiness. The guys had fun with the obvious unique nature of the music, sometimes blending Elvis tunes into the middle of traditional Jewish songs. Still, it’s not often around town that one hears songs sung in Yiddish and the beautiful vocals were well delivered by a lovely young lady. Of course, it’s not over until the Shofar says it’s over.

Johnny Astro and the Big Bang, Waynestock III, Relix Theater, Knoxville, February 2013

Johnny Astro and the Big Bang, Waynestock III, Relix Theater, Knoxville, February 2013

Johnny Astro and the Big Bang, Waynestock III, Relix Theater, Knoxville, February 2013

Johnny Astro and the Big Bang, Waynestock III, Relix Theater, Knoxville, February 2013

Johnny Astro and the Big Bang, Waynestock III, Relix Theater, Knoxville, February 2013

Johnny Astro and the Big Bang, Waynestock III, Relix Theater, Knoxville, February 2013

Johnny Astro and the Big Bang rocked the house with their big sound and high energy rock and roll. I’d heard a bit about them around town, but this was my first chance to see them live. They lived up to the buzz and I’d enjoy hearing them again. The dual lead guitars were a pleasure with all-around excellent work. The music shares a bit with punk as far as attitude – much of it seemed angry, though I couldn’t catch all the lyrics. In another sense, it’s just old-fashioned, angry rock and roll. There may be a little Black Keys influence going on. Good stuff.

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

Guy Marshall is another band making quite a buzz lately and I’d missed them around town, so I was glad to see them up next. Husband and wife team Adam and  Sarrenna McNulty share lead vocals, but Adam is the center of the dynamic of the band with a quirky charisma. Some of the songs veered in a alt-folk direction while others were more alt-country.

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

Guy Marshall, Waynestock III, Relix Theater, Knoxville, February 2013

 

At least one of the songs reminded me very strongly of the Felice Brothers and it occurred to me what a perfect opening band Guy Marshall would make for them. Memo to the Felice Brothers. For this night, they would be the band I would most likely buy their CD (of the ones I don’t already have) and I believe I understood they are going into the studio soon.

Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Sam Quinn sprang into action next and showed me what I’d missed with the Everybodyfields. I’ve heard Jill Andrews from that band and I’ve seen Sam Quinn playing behind Jamie Cook, but Everybodyfields broke up before I got to see them and I’d never heard Sam’s vocals, which are powerful and unique. I honestly wasn’t sure about it at first, but he really grew on me through the set and won me over. Some of the music reminded me of the Flying Burrito Brothers. That late-sixties/early-seventies connection was cemented during the finale when he returned to perform excellent versions of “Like a Hurricane” and “Cortez the Killer,” both Neil Young songs.

Jamie Cook with Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Jamie Cook with Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Tom Pryor with Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

Tom Pryor with Sam Quinn, Waynestock III, Relix Theater, Knoxville, February 2013

It didn’t hurt anything for Sam that he was joined by Jamie Cook on drums and Tom Pryor on guitar, both on loan from the Black Lillies. Tom, particularly, was a show of his own. He came into the hall at the last possible minute, never took off his coat and kept his toboggan on for a long time. He looked as if he’d slept in his car for the last several days and the band didn’t seem to have practiced enough to coordinate their efforts without significant instructional time between songs. Sound like a mess? It wasn’t. A recording would not reveal any of the onstage disarray. Tom just gets more and more amazing on guitar. The second they finished, he grabbed his equipment and ran out the door.

Wayne Bledsoe with Paige Travis, Waynestock III, Relix Theater, Knoxville, February 2013

Paige Travis, the host for the evening, introduced Wayne Bledsoe who teased her about writing him an irate letter years ago complaining about his review of a Judy Bats album. Wayne thanked everyone for supporting Waynestock and briefly relived its origins before introducing the Tim Lee Three to guide a rotating group of musicians through the finale.

Tim and Susan Lee, Waynestock III, Relix Theater, Knoxville, February 2013

Tim and Susan Lee, Waynestock III, Relix Theater, Knoxville, February 2013

Susan and Tim Lee, Kevin Abernathy and Greg Horne, Waynestock III, Relix Theater, Knoxville, February 2013

Susan and Tim Lee, Kevin Abernathy and Greg Horne, Waynestock III, Relix Theater, Knoxville, February 2013

Tim Lee and Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Tim Lee and Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Tim and Susan were joined onstage by Greg Horne who took a turn at a solo number. Kevin Abernathy joined and the entourage perform his “Drama House.” Black Atticus took a turn or two as soloist and guest rapper, followed by Sam Quinn who performed the Neil Young numbers. Mike McGill, of the Drunk Uncles, joined in for several spirited numbers including the crowd-pleasing “Women, Whiskey and Pain.”

Mike McGill, Waynestock III, Relix Theater, Knoxville, February 2013

Mike McGill, Waynestock III, Relix Theater, Knoxville, February 2013

R.B. Morris and Tim Lee, Waynestock III, Relix Theater, Knoxville, February 2013

R.B. Morris and Tim Lee, Waynestock III, Relix Theater, Knoxville, February 2013

R.B. Morris, Waynestock III, Relix Theater, Knoxville, February 2013

R.B. Morris, Waynestock III, Relix Theater, Knoxville, February 2013

R.B. Morris eventually joined the growing throng for a couple of songs including the glorious “Then There is a City,” which is one of my all-time favorite songs by anybody. Black Atticus added a little hip-hop sensibility to “Distillery.” Jodie Manross joined for “Angel from Montgomery,” dueting beautifully with R.B.

Black Atticus and Tim and Susan Lee, Waynestock III, Relix Theater, Knoxville, February 2013

Black Atticus and Tim and Susan Lee, Waynestock III, Relix Theater, Knoxville, February 2013

Darth Vader and Princess Leia, Waynestock III, Relix Theater, Knoxville, February 2013

Darth Vader and Princess Leia, Waynestock III, Relix Theater, Knoxville, February 2013

 

It was worth the price of admission to hear R.B. sing, “When I was a young girl . . .” The night ended, for me, with Bill Alexander and Cecilia Miller dancing to the final notes before we all spilled out into the night sometime after 1:00 AM Sunday morning, a very satisfied crowd.

Bill Alexander and Cecilia Miller Dance, Waynestock III, Relix Theater, Knoxville, February 2013

Bill Alexander and Cecilia Miller Dance, Waynestock III, Relix Theater, Knoxville, February 2013

 

Waynestock III, Night One

Playboy Manbaby and Wil Wright host Waynestock III, Relix Theater, Knoxville, February 2013

Playboy Manbaby and Wil Wright host Waynestock III, Relix Theater, Knoxville, February 2013

The third annual Waynestock is history and the event delivered great music, great fun and feel-good vibes all around. The event started two years ago as a way to honor local music critic Wayne Bledsoe in the wake of the tragic loss of his son, Andrew, who was a local musician. The following year a planned follow-up took a sad turn when beloved local musician Phil Pollard died and the money raised went to his family. This year offered the first opportunity to simply celebrate the local music community and the manner in which its members support one another.

This year’s event also signaled a substantial shift in the lineup, which I appreciated given that since the first two I’ve taken many opportunities to see the previously spotlighted bands numerous times in various venues. Some familiar faces remained and I enjoyed these old friends, but I love being introduced to new music and this year’s festival certainly served that purpose.

Black Atticus, Waynestock III, Relix Theater, Knoxville, February 2013

Black Atticus, Waynestock III, Relix Theater, Knoxville, February 2013

Black Atticus got the event rolling with a spoken-word performance. It is a thing of beauty to watch him work an audience. In this case, it turns out many, many were older white people (which I’ll explain later) and, as usual, he pulled them in. I always marvel at his writing, but even more so at his memory. He uses more words in three minutes of performance than most of us use in a day and he has to remember it. Taking on topics humorous and serious, he bounces through a performance spraying the audience with a verbal barrage both provocative and entertaining.

Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Kevin Abernathy and Friends, Waynestock III, Relix Theater, Knoxville, February 2013

Kevin Abernathy and Friends, Waynestock III, Relix Theater, Knoxville, February 2013

Greg Horne with Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Greg Horne with Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Cecilia Miller with Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Cecilia Miller with Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

From one kind of writing to another, next up was Kevin Abernathy performing songs from his “Some Stories” which are sometimes stories and other times small vignettes or slices of life. Known for his rocking guitar prowess, Kevin has laid back a bit for an acoustic stint as he performs these new songs. As a bonus, friends joined him on stage offering an all-star lineup that served only to enhance the star of the show: the songs themselves. The friends included Playboy Man Baby, Steph Gunnoe and Sean McC0llough from the Lonetones, Greg Horne and Cecilia Miller who dubbed the outfit the “Kevin Abernathy Orchestra.”

Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

Guitarists Robbie Trosper and Chad Pelton with Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

Guitarists Robbie Trosper and Chad Pelton with Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

Mic Harrison and the high score came on to perform “The Colonel is Dead” from their most recent CD and then were joined on stage by Con Hunley. I was told this pairing represented the brainchild of Steve Wildsmith, music critic for the Maryville Times. The presence of Hunley explained the demographics of the early audience. They were there to see their man and many of them left when he finished, allowing a  second shift interested in the younger acts to comfortably enter the theater.

Con Hunley with Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

Con Hunley with Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

Excited to hear Mr. Hunley perform, I quickly became ecstatic when I heard the hard-edged sounds of the High Score backing up this versatile veteran. They ran through a number of his hits without missing a beat. The combination seemed seamless, as if they were intended to play together. His vocals remained strong throughout the night, making it clear he can still bring it. Highlights included “What’d I Say” and “Oh Girl,” the old Chilites song.

Con Hunley with Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

Con Hunley with Mic Harrison and the High Score, Waynestock III, Relix Theater, Knoxville, February 2013

 

I want these guys to go into a studio together. I can’t help but wonder if this energy might refocus a listless country music radio scene on a talented gem whose biggest hits lie years in the past. One other note, in a house full of amazing guitarists, Robbie Trosper virtually exploded on stage.

The Rockwells, Waynestock III, Relix Theater, Knoxville, February 2013

The Rockwells, Waynestock III, Relix Theater, Knoxville, February 2013

The Rockwells, Waynestock III, Relix Theater, Knoxville, February 2013

The Rockwells, Waynestock III, Relix Theater, Knoxville, February 2013

The Rockwells, Waynestock III, Relix Theater, Knoxville, February 2013

The Rockwells, Waynestock III, Relix Theater, Knoxville, February 2013

The Rockwells followed and, honestly, I wasn’t sure if would have wanted that slot. They did a fine job, however, with a sound that seemed infused with a nineties sensibility with some elements of grunge, which I like very well. If I understood correctly, they haven’t played together in several years, though there was little evidence of that on stage. Constantly high energy, the songs didn’t linger a moment past when the point was made. Hard rocking at its best, I felt if I was going to buy a CD by someone from the first night, which I didn’t already own, it would be theirs.

The Mutations, Waynestock III, Relix Theater, Knoxville, February 2013

The Mutations, Waynestock III, Relix Theater, Knoxville, February 2013

The Mutations, Waynestock III, Relix Theater, Knoxville, February 2013

The Mutations, Waynestock III, Relix Theater, Knoxville, February 2013

It’s hard to describe the next band. The Mutations took the stage and the house lights went down, meaning I couldn’t identify one of them on the street if my life depended on it. Maybe that’s what they want, but I’m not sure why. The music is fascinating, but they played in the dark while the 1967 movie, “The Trip” featuring Peter Fonda and written by Jack Nicholson played on the wall behind them. Their music flowed well with the various facets of Peter Fonda’s hallucinations. The set started with an instrumental that would easily fit into a surf music collection from the early sixties and flowed from there into melodic rock and roll.

Wayne Bledsoe introduces Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

Wayne Bledsoe introduces Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

Yak Strangler with Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Yak Strangler with Kevin Abernathy, Waynestock III, Relix Theater, Knoxville, February 2013

Wayne Bledsoe introduced the final act which includes his son, Rylan, on drums and Chris Newman on lead guitar. He noted that he gets to listen to them practice in his home. I wonder if that’s always been pleasurable as I’m certain it isn’t a quiet activity. Wayne also contributed a little sampling from a computer on the side adding a little James Brown funk to the show.

Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

 

Very loud, very metal and very fascinating. While most of the music doesn’t readily fit my normal listening M.O., I couldn’t take my eyes off the guys. Pounding drums and technical, extended guitar riffs flowed from one song to the next. when Chris mentioned that a couple of songs were recent additions to the repertoire I noticed, I think, a more melodic emphasis with a bit of slower tempo. For me, it suggested they may be going in a more readily accessible direction for an old rock and roller like myself.

Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

Yak Strangler, Waynestock III, Relix Theater, Knoxville, February 2013

I’ll leave you with a small sample of Yak Strangler:

Pecha Kucha: Knoxville Creativity on Display

Living Light House at “UT-Gardens-by-Diane-Bossart”

I attended my second Pecha Kucha event recently and was reminded of the many amazing Knoxvillians who surround us. This was the fifth edition of Knoxville Pecha Kucha, which appears to have found a home at Relix Theater in Happy Holler. The first rendition of the event, held a year-and-a-half ago found the event hosted at the West Jackson Workshops, which I wrote about here. For various reasons I didn’t make it to the next three as the event moved about looking for a home.

The basic idea is that creative people will make very fast-paced presentations of what they do which will be followed in rapid-fire succession by other people doing the same. The structure allows for each participant to utilize twenty slides and discuss each for twenty seconds, yielding a total of six minutes, forty seconds for each topic. You can read more about the history and structure of the events here. The event series has spread to 572 cities around the world.

This rendition of Pecha Kucha offered nine presenters speaking in groups of three, separated by two intermissions. Relix Theater offers a relaxed atmosphere in a funky-cool part of the city and seems a perfect fit for the event. Beer, wine, mixed-drinks and pizza were also on hand.

James Rose on the Living Light House, Pecha Kucha, Relix Theater, Knoxville, October 2012

James Rose spoke first, discussing the UT Living Light House. This award winning effort emphasized combining sound ecological principals, minimalist living and optimal use of light and space. The design also acknowledges the history of functional structures in the southern Appalachian mountains. Portable, the structure has traveled around the country in an effort to promote sustainable life-styles.

Gerry Moll’s Labor Day Sunflower Installation, Pecha Kucha, Relix Theater, Knoxville, October 2012

Gerry Moll discussed the Labor Day Sunflower Installation an event about which I would have told you I’d never heard, but it turns out I was there. I just didn’t know the Sunflower portion was a part of a bigger effort. Sunflower seeds are given away throughout the year (packets were available at Pecha Kucha) and the sunflowers are harvested to form an installation for everyone to enjoy. The seeds are harvested and the cycle continues. Why? Because it makes our city more interesting and beautiful.

Diane Bossart explained the concept of Tactical Urbanism. The idea here is to take an underutilized or other-utilized space and make it more livable, interesting or somehow re-imagine it. Parking spaces become sidewalk cafes, street-scapes become more pedestrian friendly. The changes are typically short-term, but sometimes become permanent fixtures. This is something I would love to see more of in downtown Knoxville. The closest thing we have going right now is the re-development of Strong Alley which I discussed (as did man of you), here.

Laura Beth Ingle on Towers of the Smokey Mountains, Pecha Kucha, Relix Theater, Knoxville, October 2012

Laura Beth Ingle gave the history of the fire towers in the Smokey Mountains and the efforts to preserve the ones that remain.

Richard Jolley, Pecha Kucha, Relix Theater, Knoxville, October 2012

Richard Jolley, Pecha Kucha, Relix Theater, Knoxville, October 2012

Richard Jolley, Pecha Kucha, Relix Theater, Knoxville, October 2012

David Butler, of the Knoxville Museum of Art, and artist Richard Jolley spoke about the amazing, massive glass art installation which is planned for the KMA. The range and scope of the project is hard to comprehend, but to give an idea, it will consume much of the usable space in the KMA atrium which, as many of you know, is absolutely huge. The work is being funded by a bequest and should be installed next year.

Naomi and Noah, Pecha Kucha, Relix Theater, Knoxville, October 2012

John Mcrae and Jona Shehu, Pecha Kucha, Relix Theater, Knoxville, October 2012

John McRae adn Jona Shehu, Pecha Kucha, Relix Theater, Knoxville, October 2012

John Mcrae and Jona Shehu, in one of the most entertaining presentations of the night, revealed the evolution of their art as they have jointly pursued a series of children’s books called The Adventures of Naomi and Noah. I always find it fascinating to hear the story about the failures or almost-good ideas along the way before a creative person hits their stride. I wind up appreciating and understanding the final work when I have a glimpse of how the vision evolved.

Community Design Center, Pecha Kucha, Relix Theater, Knoxville, October 2012

Leslie Fawaz discussed the excellent work done locally by the Community Design Center which I’ve also discussed before.

Chris Hill, Pecha Kucha, Relix Theater, Knoxville, October 2012

Chris Hill, Pecha Kucha, Relix Theater, Knoxville, October 2012

Chris Hill, Pecha Kucha, Relix Theater, Knoxville, October 2012

Costuming has consumed Chris Hill’s imagination and he talked about the various characters and costumes he’s created as well as the evolution of his work. He uses his gift to give back to others including children and the disabled. While the term “Jesus Prom” struck me as a strange combination, the event, like many other things he does, makes a great contribution to the lives of others. Like so many creative people, Chris follows his passion even though it doesn’t pay the bills. For that he works full-time while channeling his creativity into something to which he has been drawn his whole life.

Amos Oaks, Pecha Kucha, Relix Theater, Knoxville, October 2012

Amos Oaks, Pecha Kucha, Relix Theater, Knoxville, October 2012

Amos Oaks, Pecha Kucha, Relix Theater, Knoxville, October 2012

Amos Oaks intrigued me as much as anybody present. From the beginning statement of, “I’m drawn to trauma,” I found myself spellbound. His influences revolve primarily around abstract expressionists, but also cartoonists among others. I really enjoyed his paintings, but he seems to have moved toward installations that invite interaction with the art. He’s also designing art for skateboards which is another interest. You can view a video here to get a feel of where he’s coming from. He’s an artist I’m going to try to track.

So, another Pecha Kucha comes and goes. There will be more. Watch for future events if you thought this sounded interesting. I don’t think you’ll be disappointed. In the meantime, maybe I’ll see you out tonight at First Friday or around town this weekend.

 

TAMIS, Cas Walker, Rentfro and French Guys

Bradley Reeves of the Tennessee Archive of Moving Image and Sound, Relix Theater, Central Street, Knoxville, June 2012

If Friday night was bizarre at Pilot Light, and it was, Saturday evening was at the very least, eclectic and unusual at the Relix Theater in Happy Holler. The event was billed as a Grand Opening for Raven Records a few doors down and a fund-raiser for WUTK, but neither function took center stage.

The event started early for a venue like Relix, with Bradley Reeves of the Tennessee Archive of Moving Images and Sound (TAMIS). For the last several years he and his wife have devoted themselves to locating and preserving movies and sound recordings from the east Tennessee Area. They generally show some of the films on First Friday at the East Tennessee History Center on Gay Street.

Crowd at Relix for “Incoming Freshmen,” Knoxville, June 2012

On tap for this night was the first public showing of the director’s cut of “Incoming Freshmen.” It was an early version of the teen exploitation film which would ultimately produce “classics” like “Porky’s,” “Revenge of the Nerds,” “American Pie” and a large number of others. What made this film interesting for the audience present was that it was written and filmed by UT students in the 1970s with extensive footage of UT and the strip as well as a few surrounding areas.

The film is pretty awful as far as plot and most of the acting. Interestingly, when it was picked up for distribution nationally it was altered dramatically and much more extensive nudity was included. This meant that the director’s cut has less nudity than the theatrical release which is the opposite of what you might expect. At least one person was present who was in some of the shots in the film. The rather large audience assembled reacted most to shots of campus from the 1970s.

Jack Rentfro and the Apocalypso Quartet, Relix Theater, Central Street, Knoxville, June 2012

Jack Rentfro and the Apocalypso Quartet, Relix Theater, Central Street, Knoxville, June 2012

My favorite part of the evening came next and was also presented by TAMIS: The Best of Cas Walker. While I’m very familiar with different parts of the Cas Walker legend, I’m not sure I’d ever seen footage of the show and while it was still on the air when I arrived in Knoxville I don’t remember ever watching it.

Seeing his rants on video had the crowd laughing from beginning to end. He explained (this was on television) that nothing is illegal if you don’t get caught. In running for office he stated he’d always been honest, though he was considering changing his ways given the behavior of others on council. He announced on television that one of his grocery managers would soon be fired. And on it went.

Ben Maney and Laith Keilany with Jack Rentfro and the Apocalypso Quartet, Relix Theater, Central Street, Knoxville, June 2012

Laith Keilany with Jack Rentfro and the Apocalypso Quartet5, Relix Theater, Central Street, Knoxville, June 2012

The musical section of the evening featured a good line-up. I finally got what I consider to be pretty good pictures of Jack Rentfro, Laith Keilany and Ben Maney. I promise I’ll slow down on publishing their photographs for a while. Jack’s poetry simply rocks and he continually surrounds himself with the best musicians. Please see them when you have the chance.

Laith Keilany with Jack Rentfro and the Apocalypso Quartet5, Relix Theater, Central Street, Knoxville, June 2012

Jack Rentfro and the Apocalypso Quartet7, Relix Theater, Central Street, Knoxville, June 2012

I stayed through The French and I enjoyed them. Their muscular, driving sound defines them as much as the quirkiness of their lyrics. While they aren’t necessarily my kind of band, I can see that others would really enjoy them. They remind me of Junior Brown, who I also never quite warmed up to, in that if you like a bit of humor in your music, you’ll probably enjoy them. For me it wears a bit thin after a bit, but it’s probably just me.

The French, Relix Theater, Central Street, Knoxville, June 2012

The French, Relix Theater, Central Street, Knoxville, June 2012

I’m not inclined to consecutive nights out after midnight, so I left after The French. The takeaway for me was that I want Jack Rentfro to get into the studio and I wish more people could see them. Also, I want to see more of what TAMIS has to offer. I’d encourage you to seek out both Jack and TAMIS.

New Business in Happy Holler – and an Old Friend all-in-one: Raven Records

Raven Records, Central Street, Knoxville, June 2012

I’m partial to that sensuous experience I first had around age twelve. Sure, I’d messed around a bit before that, but sometime around age twelve I experienced the First Time. I was nervous. I didn’t know where this new experience would lead, but I felt like I was ready. If I’d known then that a life of pure, complete ecstasy awaited, I would have started even earlier given the opportunity.

It wasn’t just the silky smoothness of the surface or the soft, fresh smells. It wasn’t simply that I was being initiated into an experience many before me had enjoyed. No, it was more. It was primal. I’d felt that rhythm before. Maybe in another lifetime. I knew my world would never again be the same. I’m sure there must be some analogous experience for a twelve-year-old today, but I can’t imagine it could be comparable in pure sensuous scope and gravity.

Jay Nations at Raven Records, Central Street, Knoxville, June 2012

My first was Creedence Clearwater Revival. I popped open that soft plastic cover and gently slid my finger down that twelve inch slit to open the world. Carefully removing the black vinyl disk from within, thumb on edge, forefinger on the center. The scent of carbon-filled goodness and the mystery of diamond-laden friction on a spinning orb almost overwhelmed my senses. After a slight pop and hiss of promise, “Ramble Tamble” introduced me to a lifetime of love for “Cosmos’ Factory.” All for $4.88.

Raven Records, Central Street, Knoxville, June 2012

Just over a decade later I was married and living in Knoxville when I discovered used records. I bought thousands (seriously) at garage sales and carefully cleaned and listened to them in my basement, sometimes awash in precious memory and other times discovering new friends. My daughter discovered real music in that same basement as she grew into the woman with impeccable musical taste that she is today. Music blaring in the basement we studied lyric sheets and read the names of producers, musicians, graphic artists and sometimes simply artist ramblings on the carefully prepared liner notes.

Movie Posters at Raven Records, Central Street, Knoxville, June 2012

A large part of the vinyl record experience was the record store. The more used and rare the records, the more funky and obscure the store, the better. Box stores offered pretty teen-aged sales persons who had no concept of music beyond the top forty. A real record store featured employees whose lives and very souls revolved around the music. They knew the groups, the members of the groups, the bands the members were in before they were in that particular group and at least seven other bands you’d like if you liked that particular artist.

Entering a store like Raven Records on the strip in the 1980s was like going to rock and roll church. The cool “woosh” of the albums as they fell softly into one another in the bins, the concert posters on the wall, the hope that you might find that that rare bootleg just behind the next album was almost too much to bear. That electrical buzz slipping back into the house with fresh purchases, hoping not encounter the wife while the the evidence of a small surrepticious expenditure was still on my person is a feeling I can still conjure when I pick up my nearly thirty-year-old copy of the I Threes or Dylan’s “Electric Lunch.”

Pop Culture Collectibles at Raven Records, June 2012

These memories were not obliterated by CDs that took the music industry by storm. MP3s couldn’t stop the vinyl. It’s back and so is Raven Records with original proprietor and the premier name in Knoxville’s LP World, Mr. Jay Nations. His newest incarnation of Raven Records is located in Knoxville’s new center of funky: Happy Holler. Located on the same block as Relix Theater, across the street from the Time Warp Tea Room and just around the corner from Toots simply feels like the right spot for the 2012 incarnation of this Knoxville icon. A mention of the fact that he is still at it after all these years elicits not much more than a shrug and a smile. “It’s something I do well,” he says. And he does.

White Stripes Nesting Dolls at Raven Records, Knoxville, June 2012

In addition to racks of cool vinyl, which Jay both buys and sells, you’ll find dozens of other collectible items, some related to music, such as concert posters and a cool set of nested Matryoshka dolls commissioned by the White Stripes for $150. Movies and television shows from the current to the far past can easily be found on the shelves from the cool and cheap to the striking and expensive. Like “Zacharia,” which was billed as the “first electric western and featured Country Joe and the Fish? They’ve got your poster. And on it goes. They also have CDs if you must.

It’s cool, it’s funky. Jay can figure out which band or song you can’t quite remember. Be warned, once you enter a real record store you may lose all sense of time and place. You may plunge decades into the past or enter a time warp to the future. You may leave with music that changed your life when you were younger or will change it when you slip into a darkened room to explore a beautiful new relationship. Don’t say I didn’t serve notice.

Searching for a pristine copy of the “Soundtrack to Shaft,” Raven Records, Central Street, Knoxville, June 2012

While the store is already open, a Grand Opening Celebration of sorts will happen this weekend at Relix Theater in Happy Holler starting at 5:30 on Saturday. At 5:30 a film feature film shot on UT Campus and around Knoxville in the 1970s will be shown in its original director’s cut. Entitled “Incoming Freshmen,” it is featured on the cover of this week’s Metropulse. Around 7:00 Cass Walker footage will be shown, followed at 8:00 by musical performances from Jack Rentfro and the Apocalypso Quartet, the French and others. Between set entertainment will be left to Rus Harper, which is scary enough and the evening will end with a horror classic related to a current major release movie. Almost too much to fathom!

If you can’t make the big event, at least come out and check out the new store just down the block. And there is more for your weekend entertainment in the city. Tonight at Pilot Light Wayne Bledsoe (News Sentinel Music Critic) and Steve Wildsmith face-off at the Magic Hu$tle Experience starting at 10:00 PM and promise the “rap battle to end all feuds.”

If these events don’t sound like your cup of mead, Cutthroat Shamrock will play Preservation Pub Friday night at 10:00, while Ian Thomas plays Boyd’s Jig and Reel at 9:00 Saturday night. King Super and the Excellents play Preservation Pub Saturday night at 10:00 while Jonathan Richman plays the Pilot Light Saturday night at 10:00, so there’s plenty to chose from on the musical front. In any case, I best weekend to you all and we’ll catch up on the other side.