TAMIS, Cas Walker, Rentfro and French Guys

Bradley Reeves of the Tennessee Archive of Moving Image and Sound, Relix Theater, Central Street, Knoxville, June 2012

If Friday night was bizarre at Pilot Light, and it was, Saturday evening was at the very least, eclectic and unusual at the Relix Theater in Happy Holler. The event was billed as a Grand Opening for Raven Records a few doors down and a fund-raiser for WUTK, but neither function took center stage.

The event started early for a venue like Relix, with Bradley Reeves of the Tennessee Archive of Moving Images and Sound (TAMIS). For the last several years he and his wife have devoted themselves to locating and preserving movies and sound recordings from the east Tennessee Area. They generally show some of the films on First Friday at the East Tennessee History Center on Gay Street.

Crowd at Relix for “Incoming Freshmen,” Knoxville, June 2012

On tap for this night was the first public showing of the director’s cut of “Incoming Freshmen.” It was an early version of the teen exploitation film which would ultimately produce “classics” like “Porky’s,” “Revenge of the Nerds,” “American Pie” and a large number of others. What made this film interesting for the audience present was that it was written and filmed by UT students in the 1970s with extensive footage of UT and the strip as well as a few surrounding areas.

The film is pretty awful as far as plot and most of the acting. Interestingly, when it was picked up for distribution nationally it was altered dramatically and much more extensive nudity was included. This meant that the director’s cut has less nudity than the theatrical release which is the opposite of what you might expect. At least one person was present who was in some of the shots in the film. The rather large audience assembled reacted most to shots of campus from the 1970s.

Jack Rentfro and the Apocalypso Quartet, Relix Theater, Central Street, Knoxville, June 2012

Jack Rentfro and the Apocalypso Quartet, Relix Theater, Central Street, Knoxville, June 2012

My favorite part of the evening came next and was also presented by TAMIS: The Best of Cas Walker. While I’m very familiar with different parts of the Cas Walker legend, I’m not sure I’d ever seen footage of the show and while it was still on the air when I arrived in Knoxville I don’t remember ever watching it.

Seeing his rants on video had the crowd laughing from beginning to end. He explained (this was on television) that nothing is illegal if you don’t get caught. In running for office he stated he’d always been honest, though he was considering changing his ways given the behavior of others on council. He announced on television that one of his grocery managers would soon be fired. And on it went.

Ben Maney and Laith Keilany with Jack Rentfro and the Apocalypso Quartet, Relix Theater, Central Street, Knoxville, June 2012

Laith Keilany with Jack Rentfro and the Apocalypso Quartet5, Relix Theater, Central Street, Knoxville, June 2012

The musical section of the evening featured a good line-up. I finally got what I consider to be pretty good pictures of Jack Rentfro, Laith Keilany and Ben Maney. I promise I’ll slow down on publishing their photographs for a while. Jack’s poetry simply rocks and he continually surrounds himself with the best musicians. Please see them when you have the chance.

Laith Keilany with Jack Rentfro and the Apocalypso Quartet5, Relix Theater, Central Street, Knoxville, June 2012

Jack Rentfro and the Apocalypso Quartet7, Relix Theater, Central Street, Knoxville, June 2012

I stayed through The French and I enjoyed them. Their muscular, driving sound defines them as much as the quirkiness of their lyrics. While they aren’t necessarily my kind of band, I can see that others would really enjoy them. They remind me of Junior Brown, who I also never quite warmed up to, in that if you like a bit of humor in your music, you’ll probably enjoy them. For me it wears a bit thin after a bit, but it’s probably just me.

The French, Relix Theater, Central Street, Knoxville, June 2012

The French, Relix Theater, Central Street, Knoxville, June 2012

I’m not inclined to consecutive nights out after midnight, so I left after The French. The takeaway for me was that I want Jack Rentfro to get into the studio and I wish more people could see them. Also, I want to see more of what TAMIS has to offer. I’d encourage you to seek out both Jack and TAMIS.

New Business in Happy Holler – and an Old Friend all-in-one: Raven Records

Raven Records, Central Street, Knoxville, June 2012

I’m partial to that sensuous experience I first had around age twelve. Sure, I’d messed around a bit before that, but sometime around age twelve I experienced the First Time. I was nervous. I didn’t know where this new experience would lead, but I felt like I was ready. If I’d known then that a life of pure, complete ecstasy awaited, I would have started even earlier given the opportunity.

It wasn’t just the silky smoothness of the surface or the soft, fresh smells. It wasn’t simply that I was being initiated into an experience many before me had enjoyed. No, it was more. It was primal. I’d felt that rhythm before. Maybe in another lifetime. I knew my world would never again be the same. I’m sure there must be some analogous experience for a twelve-year-old today, but I can’t imagine it could be comparable in pure sensuous scope and gravity.

Jay Nations at Raven Records, Central Street, Knoxville, June 2012

My first was Creedence Clearwater Revival. I popped open that soft plastic cover and gently slid my finger down that twelve inch slit to open the world. Carefully removing the black vinyl disk from within, thumb on edge, forefinger on the center. The scent of carbon-filled goodness and the mystery of diamond-laden friction on a spinning orb almost overwhelmed my senses. After a slight pop and hiss of promise, “Ramble Tamble” introduced me to a lifetime of love for “Cosmos’ Factory.” All for $4.88.

Raven Records, Central Street, Knoxville, June 2012

Just over a decade later I was married and living in Knoxville when I discovered used records. I bought thousands (seriously) at garage sales and carefully cleaned and listened to them in my basement, sometimes awash in precious memory and other times discovering new friends. My daughter discovered real music in that same basement as she grew into the woman with impeccable musical taste that she is today. Music blaring in the basement we studied lyric sheets and read the names of producers, musicians, graphic artists and sometimes simply artist ramblings on the carefully prepared liner notes.

Movie Posters at Raven Records, Central Street, Knoxville, June 2012

A large part of the vinyl record experience was the record store. The more used and rare the records, the more funky and obscure the store, the better. Box stores offered pretty teen-aged sales persons who had no concept of music beyond the top forty. A real record store featured employees whose lives and very souls revolved around the music. They knew the groups, the members of the groups, the bands the members were in before they were in that particular group and at least seven other bands you’d like if you liked that particular artist.

Entering a store like Raven Records on the strip in the 1980s was like going to rock and roll church. The cool “woosh” of the albums as they fell softly into one another in the bins, the concert posters on the wall, the hope that you might find that that rare bootleg just behind the next album was almost too much to bear. That electrical buzz slipping back into the house with fresh purchases, hoping not encounter the wife while the the evidence of a small surrepticious expenditure was still on my person is a feeling I can still conjure when I pick up my nearly thirty-year-old copy of the I Threes or Dylan’s “Electric Lunch.”

Pop Culture Collectibles at Raven Records, June 2012

These memories were not obliterated by CDs that took the music industry by storm. MP3s couldn’t stop the vinyl. It’s back and so is Raven Records with original proprietor and the premier name in Knoxville’s LP World, Mr. Jay Nations. His newest incarnation of Raven Records is located in Knoxville’s new center of funky: Happy Holler. Located on the same block as Relix Theater, across the street from the Time Warp Tea Room and just around the corner from Toots simply feels like the right spot for the 2012 incarnation of this Knoxville icon. A mention of the fact that he is still at it after all these years elicits not much more than a shrug and a smile. “It’s something I do well,” he says. And he does.

White Stripes Nesting Dolls at Raven Records, Knoxville, June 2012

In addition to racks of cool vinyl, which Jay both buys and sells, you’ll find dozens of other collectible items, some related to music, such as concert posters and a cool set of nested Matryoshka dolls commissioned by the White Stripes for $150. Movies and television shows from the current to the far past can easily be found on the shelves from the cool and cheap to the striking and expensive. Like “Zacharia,” which was billed as the “first electric western and featured Country Joe and the Fish? They’ve got your poster. And on it goes. They also have CDs if you must.

It’s cool, it’s funky. Jay can figure out which band or song you can’t quite remember. Be warned, once you enter a real record store you may lose all sense of time and place. You may plunge decades into the past or enter a time warp to the future. You may leave with music that changed your life when you were younger or will change it when you slip into a darkened room to explore a beautiful new relationship. Don’t say I didn’t serve notice.

Searching for a pristine copy of the “Soundtrack to Shaft,” Raven Records, Central Street, Knoxville, June 2012

While the store is already open, a Grand Opening Celebration of sorts will happen this weekend at Relix Theater in Happy Holler starting at 5:30 on Saturday. At 5:30 a film feature film shot on UT Campus and around Knoxville in the 1970s will be shown in its original director’s cut. Entitled “Incoming Freshmen,” it is featured on the cover of this week’s Metropulse. Around 7:00 Cass Walker footage will be shown, followed at 8:00 by musical performances from Jack Rentfro and the Apocalypso Quartet, the French and others. Between set entertainment will be left to Rus Harper, which is scary enough and the evening will end with a horror classic related to a current major release movie. Almost too much to fathom!

If you can’t make the big event, at least come out and check out the new store just down the block. And there is more for your weekend entertainment in the city. Tonight at Pilot Light Wayne Bledsoe (News Sentinel Music Critic) and Steve Wildsmith face-off at the Magic Hu$tle Experience starting at 10:00 PM and promise the “rap battle to end all feuds.”

If these events don’t sound like your cup of mead, Cutthroat Shamrock will play Preservation Pub Friday night at 10:00, while Ian Thomas plays Boyd’s Jig and Reel at 9:00 Saturday night. King Super and the Excellents play Preservation Pub Saturday night at 10:00 while Jonathan Richman plays the Pilot Light Saturday night at 10:00, so there’s plenty to chose from on the musical front. In any case, I best weekend to you all and we’ll catch up on the other side.