Knoxville Marathon 2013

Knoxville Marathon Start, April 2013

Knoxville Marathon Start, April 2013

It’s hard to know at the end of this week whether I should continue recounting last weekend or move the focus to the upcoming weekend. I’ll go with last weekend, but I must mention that this weekend is likely the biggest of the Dogwood Arts Festival, with the Arts and Crafts Festival on Market Square and throughout Krutch Park. The artisan works are phenomenal and the food tent, in which chefs prepare dishes with wine pairings, is one of my favorite single events of the year.

Mayor Rogero, Knoxville Marathon, April 2013

Mayor Rogero, Knoxville Marathon, April 2013

American Flag on Clinch Avenue, Knoxville Marathon, April 2013

American Flag on Clinch Avenue, Knoxville Marathon, April 2013

Arm Cyclists, Knoxville Marathon, April 2013

Arm Cyclists, Knoxville Marathon, April 2013

Still, I must give a nod to last weekend’s Knoxville Marathon which drew several thousand people. The race has grown to include a 5K, Half-Marathon, Marathon and Marathon Relay. Urban Son-in-Law backed off to the half-marathon this year and many Urban Friends ran various other races. I think one reason for the massive crowds last weekend was the marathon, as a number of people came in from out of town or simply stayed downtown to enjoy the other events going on.

Health and Fitness Expo, Knoxville Marathon, April 2013

Health and Fitness Expo, Knoxville Marathon, April 2013

Health and Fitness Expo, Knoxville Marathon, April 2013

Health and Fitness Expo, Knoxville Marathon, April 2013

Arm Cyclists2, Knoxville Marathon, April 2013

Arm Cyclists, Knoxville Marathon, April 2013

Arm Cyclists3, Knoxville Marathon, April 2013

Arm Cyclists, Knoxville Marathon, April 2013

I love the fact that a fitness-based event has become so big in the city. It also works beautifully to have so many great activities downtown to greet any out-of-town visitors. There is no way someone visited the city last weekend, encountered the beautiful weather, pianos on the square, Chalk Walk, First Friday, Rhythm and Blooms and came away with anything other than a very positive impression of what is happening here. They also spent time and money in the Health and Fitness Expo on Saturday.

Knoxville Marathon Start, April 2013

Knoxville Marathon Start, April 2013

Knoxville Marathon Start, April 2013

Knoxville Marathon Start, April 2013

Knoxville Marathon Runner, April 2013

Knoxville Marathon Runner, April 2013

Knoxville Marathon Start, April 2013

Knoxville Marathon Start, April 2013

The starting line and staging area always attract me. Nerves jangle about at every turn, runners giddy with excitement warm up maybe a bit too much. Proud families wish their loved ones well. The mayor spoke at this year’s opening and the national anthem makes any sporting fan’s blood reach a quick boil of anticipation. Some are there to win, others to have fun and others simply to finish. Music pounds from a PA system as it will throughout the race as live bands play for the runners.

Entertainment on Market Square, Knoxville Marathon, April 2013

Entertainment on Market Square, Knoxville Marathon, April 2013

John D. Cable and the Empty Bottle Band, Clinch and Locust, Knoxville Marathon, April 2013

John D. Cable and the Empty Bottle Band, Clinch and Locust, Knoxville Marathon, April 2013

I photographed eventual winner Wojciech KopecĀ (2:22:15) as he left the start line (red jersey above, number 2), but missed him at the twenty-five mile mark. I did catch Edward Tabut passing the UT Conference Center, heading into the final stretch. He was about three minutes behind first place. He also nearly left the course by not turning onto Locust, but a policeman yelled, pointed and Edward corrected his course.

Second Place Runner (No. 4), Mile Tweny-five, Knoxville Marathon 2013

Second Place Runner (No. 4), Edward Tabut, Mile Tweny-five, Knoxville Marathon 2013

Third Place Runner, Mile Twenty-four, Knoxville Marathon, April 2013

Third Place Runner, Bryan Morseman, Mile Twenty-four, Knoxville Marathon, April 2013

Fourth Place Runner, Mile Twenty-Three, Knoxville Marathon 2013

Fourth Place Runner, Stewart Ellington, Mile Twenty-Three, Knoxville Marathon 2013

Fifth Place Runner, Mile Twenty-four, Knoxville Marathon, April 2013

Fifth Place Runner, Abraham Kogo, Mile Twenty-four, Knoxville Marathon, April 2013

About four minutes behind him was Bryan Moresman in third and I really felt for the next two guys as I photographed them leaving Market Square. They ran within steps of each other around the twenty-four mile mark and clearly, they would battle to the finish line. In the end, while Stewart Ellington (No. 6) lead by a few yards at that point, Abraham Kogo (No. 3) would pass him in the end to win fourth place. Two seconds separated them at the finish line. You can find complete results here.

Half-Marathon Medal, Knoxville Marathon, April 2013

Half-Marathon Medal, Knoxville Marathon, April 2013

Others would pass through downtown on into the afternoon. In fact, Urban Son-in-Law spotted a couple going through around 4:00, well after the official times have stopped. It reminds me of Cake’s awesome song, “The Distance.” All that matters at that point is finishing. And whether anyone else knows or acknowledges the fact, you know. It has to feel good. I never made it to the complete marathon and I admire those who do.

What you need to know about music festivals and series in Knoxville – All in one blog post!

Slow Blind Hill, Jr, Jaimie Cameron and Henry Perry, Preservation Pub, Knoxville

There are so many series and festivals running around town that you may have a hard time keeping them all straight. That’s where I can help. We have a new series, a returning series, an ongoing series an old festival and a new one. Let’s sort it all out.

I’ve written in the past about the marvelous “Homegrown” series hosted by WFIV and Preservation Pub. I used to make it out to Disc Exchange on occasion to hear the show when it broadcast from there, but honestly, as much as I love Disc Exchange, it was not a comfortable place to see a live show.

Jaimie Cameron, Preservation Pub, Knoxville

Henry Perry, Preservation Pub, Knoxville

The Speakeasy at the Preservation Pub is comfortable, smoke-free(ish) and has an excellent stage. The show features interviews and songs from local artists each Wednesday night from 7:00 to 8:00. It’s a great slot for people who want to hear music during the week, but have to get up for work the next morning. It is also free, which is my favorite price.

Slow Blind Hill, Jr, Jaimie Cameron and Henry Perry, Preservation Pub, Knoxville

The photographs you are seeing on this post of Slow Blind Hill, Jr. are from a recent Homegrown show. Slow Blind Hill, Jr. features Jaimie Cameron on guitar and vocals and Henry Perry on harmonica and backing vocals. They are half of the full band, Slow Blind Hill and you can most often catch them playing their brand of blues at the Crown and Goose. I’ve enjoyed their music for many years and I suspect you would, too.

Tennessee Shines is a series sponsored  by WDVX which had its original run as a monthly show in the Bijou and was both broadcast live on the radio and was filmed for television. The series eventually went on a hiatus from which it appeared likely to never return. Then it returned – though in a drastically altered form. It now happens every Monday night, features more local talent, and is broadcast from the Knoxville Welcome Center via WDVX. The cost is $10. The photographs you are seeing of R.B. Morris and Greg Horne are from this series earlier this week. Megan McCormick (who is not local) will be featured next week, along with others.

R. B. Morris with Greg Horne, Tennessee Shines, Knoxville, March 2012

R. B. Morris with Greg Horne, Tennessee Shines, Knoxville, March 2012 

So, you’ve got your Monday night and your Wednesday night covered, but once a month you’ll need to throw in a Thursday night for Scruffy City Roots. The concept here is actually closer to the original Tennessee Shines than is the current Tennessee Shines. Scott Miller, who, thankfully, can’t seem to ever leave Knoxville will host the show and Jack Neely will interview guests between sets.

It will broadcast live over WUTK from the Square Room and will be viewable on the website as it is filmed for possible broadcast at a later time (I’m pretty sure about the last part). The cost is $15 in advance and $20 the day of the show. The series holds its inaugural episode this coming Thursday night, March 22.

R. B. Morris with Greg Horne, Tennessee Shines, Knoxville, March 2012 

Earthbeats is a festival focusing on Earth Day and taking place on April 21 on the World’s Fair Park. It includes artists such as two of my favorites: Theorzt and Jodi Manross.

Finally, the Rhythm N Blooms festival returns this year as a part of the Dogwood Arts Festival and includes local, regional and national artists such as Amos Lee, Citizen Cope, the Black Lillies and Darrell Scott playing venues all around downtown over a three day period from April 20 – 22. Tickets for the entire weekend are $55 and single-day tickets are $25.

R. B. Morris with Greg Horne, Tennessee Shines, Knoxville, March 2012 

So, there you go, all laid out for you to mark up your calendar and save your money. Again, Knoxville is overwhelmed with great music. Are we the capital of Americana music? That’s a good possibility to ponder. In the meantime, just get out and enjoy it.

Waynestock 2012: For the Love of Phil, Night Two

The Lonetones, Relix Theater, Knoxville, February 2012

The second night picked up the energy from the first night and cranked it up a notch. I got there a bit late and only caught a portion of Sarah Schwabe’s set and my camera still had issues, so I got no pictures of her performance, which I regret because it was really good and it was obvious she enjoyed being reunited with her Jass Band.

Lisa McLeod and Jake Weinstein perform acrobatics

The Lonetones played next and played with quite a bit of muscle. This was the most rock and roll I’ve ever heard them sound, though they certainly haven’t turned into the Tim Lee Three. I really liked the amped-up sound and the songs they played may have had some new material mixed in. It all sounded very good and their performance feature a guest flutist from the Band of Humans and acrobatics to the side of the stage.

Jack Neely at Relix Theater, Knoxville, February 2012

Jack Neely made an appearance amid references to him being on the stage dressed in a diaper along with Phil Pollard. I missed that one and it isn’t so much an image I’ll dwell on. In any case, he introduced RB Morris who likewise reminisced about Phil and played a great set of somewhat less familiar songs, including “Old Road,” “Dreaming” and “Someone.”

RB Morris at Relix Theater, Knoxville, February 2012

RB Morris at Relix Theater, Knoxville, February 2012

RB Morris at Relix Theater, Knoxville, February 2012

One emotional highlight of the evening was his introduction from the stage of Madeline Rogero who didn’t take the microphone, but stayed in the audience after waving to the crowd and enjoyed the music for a couple of hours. You know there was a fancy party she could have attended with much more important and powerful people, but she didn’t. She chose to be with regular people and talented artists in a bar in Happy Holler. You have to love that. The crowd roared approval and RB launched in to “City” which is one of my all time favorite songs by anyone and is, of course, the song about Knoxville which Mayor Rogero quoted in her inaugural speech.

Madeline Rogero at Relix Theater, Knoxville, February 2012

The Tim Lee 3, fronted by Tim and Susan Lee stormed onto the stage next – or at least after the loss of power was resolved. They were as good as always, though they didn’t have the chance to stretch things out like they do in a full show.

Tim Lee 3 at Relix, Knoxville, February 2012

Tim Lee 3 at Relix, Knoxville, February 2012

Kevin Abernathy joined them and that’s always a power guitar treat. Enough thanks can’t be expressed to Tim and Susan for all the work they’ve done each of these two years to make this event happen. In any supportive community there are always good people doing the work in the background to make life better for everyone else and, I suspect, in Knoxville’s music community, that would be Tim and Susan.

Tim Lee 3 at Relix, Knoxville, February 2012

Kevin Abernathy joins Tim Lee 3 at Relix

Tim Lee 3 with guest at Relix, Knoxville, February 2012

After the Tim Lee 3, the coolest moment of the night took place when Phil’s parents took the stage to remember their son and to thank Knoxville for loving him. It was obvious Phil’s father is no shrinking violet himself and it was easy to see Phil in him. He also wore Phil’s famous stove pipe hat onto the stage.

Phil Pollard’s parents take the stage at Waynestock II, Relix

King Super and the Excellents closed down the show

The evening ended with King Super and the Excellents, of whom I’d never heard. They are a very talented band with the potential to add something very different to the Knoxville music scene. As you might guess from their name or from their zany attire, the group is sort of a Dadaesque send-off of a band. The trick for them, it seems to me, will be getting past the shtick and remembering that the music is what will make them, not the antics.

King Super and the Excellents, Relix, 2012

King Super and the Excellents, Relix, 2012

That said, they are very versatile and touched bases from Philly-esque R and B to powerpop (the most popular with the bar crowd) and even very credible covers of Pink Floyd. The musicianship and vocals popped all night. I really hope they will focus on the music as much as the revelry. The crowd went absolutely crazy during their show and I think everyone was exhausted by midnight.

I had one strange moment as I exited: Just before I got to the door I was grabbed forcefully from behind by a young man, who I assume was an employee, and he demanded frantically to know whether I had a drink in my hand. I assured him I didn’t and he pushed past me onto the sidewalk. When I followed him I realized there were two police cars outside with lights flashing, patrons detained and more police on the way.

I find the scene interesting because I’m assuming the issue was the open container law. If the police were actually targeting people who had just stepped outside with a drink – maybe to smoke a cigarette – that seems pretty grossly unfair given what I had seen earlier in the evening: People walking everywhere downtown with glasses of wine held in front of them. Pretty inconsistent.

Night three coming up next!

James Agee Park

James Agee Park, Fort Sanders, Knoxville

I was asked recently about the funding for James Agee Park. The gentleman who asked was interested in helping with the park in some way. I believe he mistook me for the person who was appointed to an interim position on city council. I didn’t point out his mistake, choosing instead to direct him to the only person I know who would have information on the park: R.B. Morris.

James Agee Park, Fort Sanders, Knoxville

I know very little about the park. I remember when R.B. and others lobbied the city for a plot of land in the Fort Sanders area. James Agee was at 15th and Highland and lived there early in his life. That home is the setting for his classic work A Death in the Family. Of course, the home was demolished and an apartment building replaced it. 15th Avenue was renamed James Agee in 1999. Unfortunately, it becomes Philip Fulmer Way as it crosses Cumberland.

Enscription at the entrance to James Agee Park

If you read the site entitled James Agee Park History, you will find that the title is misleading. It gives the background of James Agee, but not the history of the park itself. Another portion of the city’s website says it was dedicated in 2003, gives directions (corner of Laurel and James Agee), and mentions the Agee quote engraved at its entrance: “To those who in all times have sought truth and who have told it in their art or in their living.”

Shoes and boots dangling from power lines just north of James Agee Park

More embarrassing than not knowing anything about funding was the fact that I didn’t even know the location of the park. As much as I had cheered for the efforts to secure it and as close as I live to it, I had never tried to find it. Initially I walked up James Agee thinking I would see it. I didn’t without looking at the address. I think during one pass I was blinded by the hanging shoes I’ve photographed before. I heard someone call this a mobile. Does anyone know the story behind that?

Marker on columns at the entrance to James Agee Park

After securing the address, I took another turn and sadly, I was underwhelmed when I found it. There are a few benches, some overgrown flowerbeds and a small path winding in a circle around a very small plot of ground. It turns out I had walked past it many times without realizing it was a park of any kind. There are stone colunms at the entrance, but I’d assumed they belonged to one of the large homes located on either side of the park and that the park itself was part of the lawn.

As I mentioned earlier, there is the one quote visible in the cement if you look for it. It is unattributed. The words “James Agee Park” are inscribed on the columns, but they aren’t easily viewable from the street. There is a street sign that states it is a park, but that, also, it is, ironically, not on the street. There is nothing further about who James Agee might have been for the benefit of the uneducated passerby. Certainly there is no statue, which would certainly be appropriate.

I’m glad the effort was taken to secure this small memorial to such an important Knoxvillian. I appreciate each person who worked to make it happen. I simply wonder if we couldn’t do a little more. What about a statue? I’ve heard talk of erecting statues of coaches and players on the UT campus, what about a little love for a Pulitzer Prize winner? Could there be a historical other marker that states he was born just north of that spot or at least lists his works?

Park Benches in James Agee Park

Until something more is done, there is a very small, slightly desheveled park with a couple of benches on which you might sit and contemplate the amazing shooting star that was James Agee. Visualize your own statue.

Keeping the Bees Employed: Poetry by R.B. Morris

I recently read Keeping the Bees Employed, a book of poetry, by R. B. Morris. By turns beautiful and painful, it is a book that I highly recommend. Most of you know that R.B. is a local musician, playwright, poet and provocateur. I’ve spoken of his music often in this space and I’ve mentioned his poetry. I’d like to give it a few moments of focus and encourage you to pick up a copy of this gripping book. R.B.’s gift is in finding beauty in the simple elements of life – a conversation, a phrase, a half thought. His openness and honesty about his life is sometimes difficult to read, feeling somewhat like the reader is offered a voyeur’s perspective on moments and events that most of us would hold close as private.

When he read from his works recently at the Laurel Theater, I was particularly moved by his poem “The Can Man,” in which he finds the noble inside that which most of us would see as base. He draws a word-portrait of a broken man who still retains his dignity in a way that confounds those with whom he is forced to interact. As is true with the best of our poets, songwriters and visionaries, R.B. also finds the universal inside the ordinary, elevating his subjects to sometimes epic proportions.

R.B. reads from Keeping the Bees Employed

With his permission, I’m printing his “Can Man” poem below. I hope you like it as much as I did and I hope you will support this local artist. You can follow either of the links above to further explore or purchase the book. He very much deserves your support and encouragement. He has certainly given greatly to our city and has probably championed it more than any other person in recent memory. He loves this city and it shows.

“The Can Man”

The Can Man goes by ragged and black
A great bag over his shoulder
Full of aluminum cans and other
Assorted treasures
A scraggly patch of beard hiding
Most of his face
And a tortured old hat pulled
Low to his eyes
But those eyes will find you
He’s steady in his walk but
With a long limp
Winding him sideways like a crab
Dragging half his world
Behind the other
Making the morning rounds
To the dumpsters and garbage cans
Sometimes he talks to himself
Arguing with someone who’s not there
And you hear him coming
Before he walks by the window
Or when you go to your car
Or pass him on the street
If his gaze crosses yours
You’d think he cursed you point blank
For bringing it all down on him
Gowldom moollycoogin blushet
Goin dog cone fugg
Dong no sagg goowl
Tonk Shiblit muh blah asss

I think they should let him give this
Speech to the assembled luminaries of the city
The fathers and mothers who grace
The great offices overlooking
The river and downtown
I think they should let him limp
To the gilded podium and unload
His mighty poetry upon them
For he is the greater man
His work is pure and selfless
He’s the one who cleans up the mess
The trash the waste the excess
Of a bloated culture
Spilling out into the streets
Come rain or shine he’s there
He knows every crack
Every cloud every face
He sees right through you
To that other place where
We all are but can’t quite admit
He holds the city together
He’s the cog that makes it click
He’s the glue
He’s your better
A true volunteer